Wednesday 31 July 2013

Showtime at TCA: David Nevins' Job Is Not Killing Him (Analysis)

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Showtime at TCA: David Nevins' Job Is Not Killing Him (Analysis)
You don't need to thoroughly understand the Myers-Briggs Type Indicator to take some guesses at the kinds of people who run cable channels or broadcast networks. But it's kind of a fascinating game nonetheless, particularly if you see the same people in the same structured psychological study -- the Television Critics Press tour, for example -- over a long period of time. OUR EDITOR RECOMMENDS 'Big Brother': Les Moonves Calls Racist Remarks 'Absolutely Appalling' CBS' Leslie Moonves: We Are Not the 'Bastard Step-Child' of the Industry Showtime's David Nevins on Risk, Anti-Heroes and Netflix's 'Interesting' Strategy Showtime Topper on 'Dexter' Spinoff: 'Draw Your Own Conclusions' Showtime Boss to Protesting 'Borgias' Fans: Try Kickstarter You will notice some trends. Early jubilance, for example. ("I'm going to take this moribund Content Provider and really do some exciting new things with it!") Measured optimism is also popular. ("We're not going to rebuild in a day, but we can start the process of change.") When these executives get on the Sisyphean treadmill and come up short more often than not, you often see a defensive retreat. ("Nobody said this was going to be easy and to not consider year-to-year flatness as a kind of victory is being naive about the business, I think.") And at some point, you get to witness defeat. It doesn't look pretty. Through day seven of the Television Critics Association press tour, we've seen a lot of different looks. Or, rather, the looks are there to be studied if you really care about such things, which I do. Even though seven days may seem short to you, three of those days were from the jam-packed cable portion and, besides, the TCA is kind of a dog-years type of operation. PHOTOS: Summer TV Preview: 51 New and Returning Series But I'm as fascinated at what I've seen recently as I am excited to see and evaluate those who have yet to come before us. Most remarkable was seeing CBS' Les Moonves get back in the game -- a game he not only loves, but one where he helped write the rules -- when he filled in for CBS entertainment president Nina Tassler, who lost a dear friend prior to the network's arrival and couldn't be here. For Moonves, the give-and-take from the stage was something he sort of perfected in the not-too-distant past. And you could tell from the critics who covered him back then (myself included) what fun it was to witness the original No Muffler Executive. He came out on fire -- informative, funny, honest and even blunt. This early question says it all: “Beverly Hills Cop seemed like a sure thing. What could possibly have gone so wrong with that pilot that you didn’t want to move forward?" Moonves: "We do a lot of pilots, and the best get on the air. And we felt we had better choices than that pilot." Or how about this beauty: "Les, question about Cote de Pablo. Just curious what happened there, why you weren’t able to hang onto her. And are you concerned about losing the leading lady on your No. 1 show?" Moonves: "I really want to clarify. We offered Cote de Pablo a lot of money. And then we offered her even more money (laughter) because we really didn’t want to lose her. We love her. We think she was she was terrific. And we, obviously, were in discussions. And the rest of the cast and the producers were aware what’s going on. And ultimately she decided she didn’t want to do the show. It was purely her decision. We’re, obviously, getting a lot of emails. There’s a lot of Twitter buzz about her, and rightly so. She’s a wonderful lady. Look, NCIS, the highest-rated show on television last year -- we don’t like losing anybody. But we did everything humanly possible. We feel like we exhausted every opportunity, and she just decided she didn’t want to do the show." There's a word for that: textbook. Of course, Moonves is way above the entertainment president label he held years ago, and CBS is crushing everything in its path, so it's not like he's losing much sleep. Bob Greenblatt, chairman of NBC Entertainment, was a little more beaten down by the end of his executive session, but he's been shouldering the burden of rebuilding NBC, which is a little like rebuilding Versailles with a skimpy budget, impossible city codes and poorly trained craftsman. That session veered from positive to dubious to defensive to funny, pleading, dismissive and ended, with a laugh, when Greenblatt half-exasperatedly said, "I don't know what I'm saying anymore." Nevins? The guy's pulse seemed to be flowing like a quiet river, and I don't remember anyone seeming so calmly focused at one of these things in a while (FX's Zen-master John Landgraf excepted). And this after a group of angry fans trying to save the now-canceled Borgias buzzed the outdoor Showtime lunch presentation begging the channel to do right by its viewers. PHOTOS: The Faces of Pilot Season 2013 Rattled? Nope. It was the second question of the session, and Nevins said that creator Neil Jordan had come up with a two-hour wrap concept, but it didn't work out. "We looked hard at doing a two-hour finale. And the economics of it just didn’t make sense, so we didn’t move forward. And I think it came to a good stopping place at the end of Season 3. I know we all got buzzed at lunch by the airplane. I feel bad at the money that’s being spent. As I was pulling in today, there was one protester out there. And I opened my window and asked him what he thought of the finale. And he said, 'I haven’t seen it.' Apparently he was a paid protester." Nevins took the same "what are you going to do?" approach to critics who thought Homeland slipped last year. He understands this is all part of the business. You make a show that some people love but, after three seasons, maybe that's all you can do with it. If critics have qualms about your glossy key series, that's their right. He's not going to freak out and never speak to you. He listens. He doesn't have to agree. But he likes talking about Showtime, about the creative and business aspects of the industry, and he knows how to do it with intelligence and appreciation. That last part is key. It's a great job, this gig of his. Showtime just hit 23 million subscribers, up from 18 when he started. Homeland is established, new series Ray Donovan had the highest-rated premiere in the channel's history (6 million) and was an easy renewal for a second season. Longtime hit Dexter is going out strong, and the channel is currently creating buzz for its newest series, Masters of Sex (which was on Tuesday's panel), and building the buzz for Penny Dreadful, a "psychological horror series" from John Logan and Sam Mendes. The channel also signed Philip Seymour Hoffman to star in the comedy series Trending Down, which was a real coup. Beyond that, Dominic West and Ruth Wilson have signed on for the new drama series The Affair. The Ridley Scott-directed pilot, The Vatican, starring Kyle Chandler is also almost finished. Nevins reiterated at his TCA executive session that his "goal was to create a more varied and diverse schedule with no fallow periods, to find programming that was expansive that would allow our network to break through to a wider audience." He's done just that and barely seems to have broken a sweat, much less had a fever dream of desperation as so many programmers do. Doing battle with HBO, Netflix, Starz, Hulu and countless ad-supported cable channels churning out great scripted series would normally be the kind of thing that calls for the periodic Xanax tablet. But this is an interesting batch of modern programmers in that tangle of competition, and they all seem to have one common trait: They love what they do. Not because each might be doing well at any given moment. But because they like this period we're all living in, this Renaissance Age of fabulous dramas, and more precisely they like making them and having a hand in the creation and guidance of them. Will any of them get beaten down over time? Sure. It happens with alarming predictability. But a guy like Nevins doesn't seem to be guessing at a lot of the things that have made Showtime successful. It looks like he knows what he's doing. And it looks like he's having a good time doing it. We'll see how Fox's Kevin Reilly, FX's Landgraf, ABC's Paul Lee and PBS' Paula Kerger appear when they arrive on Thursday, Friday, Sunday and Tuesday, respectively.




news sours  www.hollywoodreporter.com

'The Fosters' to air TV's first gay wedding since DOMA

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'The Fosters' to air TV's first gay wedding since DOMA
On the historic day this summer that Paul Katami and Jeff Zarrillo were married in Los Angeles and Kristin Perry and Sandy Stier exchanged vows in San Francisco, a similar wedding took place in the backyard of a house in Long Beach, Calif. The third nuptials belonged to fictional characters Stef Foster and Lena Adams of “The Fosters”—TV’s first gay characters to say “I do” since the Supreme Court struck down the Defense of Marriage Act. The ABC Family drama’s creators, Bradley Bredeweg and Peter Paige, credit “universal synergy” with the impeccable timing of the filming of the garden ceremony on June 28, the same day two of the couples challenging Prop 8 in California (which bans gay marriage) became legally wed. The wedding is part of the show’s first season finale, which airs on Aug. 5. “I will never forget that day when Peter and I were sitting behind the monitors in our directors’ chairs, just looking at the wedding on screen and looking at each other realizing what happened here on this day,” Bredeweg said. “There were tears, there were hands being held. It was just quite a celebration of the show, of what was happening historically for gay and lesbian couples. It was beautiful.” Stef and Lena's is certainly not the first same-sex marriage on television. Although NBC's "Friends" received a lot of kudos for its lesbian wedding in 1996, two other sitcoms had already broken that ground. The first show to feature a gay wedding was Fox's "Roc" which showed a ceremony between two men; "Roseanne" followed suit in 1995. Video: ABC Family's 'The Fosters' is making history with the first gay marriage since the Supreme Court struck down DOMA. In anticipation of the Supreme Court ruling in June, the script for "The Fosters" finale called for a wedding — no matter what the higher court decided, said Paige, who is best known for his role on Showtime's “Queer as Folk," which also featured two gay weddings. But it was “an incredible moment,” Paige said, to shoot Stef’s (Teri Polo) and Lena’s (Sherri Saum) wedding within the context of real marriages taking place in the state for the first time in five years. “From our earliest conversations, we were going to have a wedding,” Paige said. “We thought if Prop 8 goes the way of the Fosters, it would be fantastic to be the first legal wedding in California on television after the decision. If it doesn't go our way, then it’s an opportunity to make a statement that no matter what anybody says we won’t be bowed.” But that’s not the only statement “The Fosters” is making. The family drama also stands out in the TV landscape as the first show to depict foster care from the point of view of the parents, the children already living in the house and the new ones joining the family. Stef and Lena are raising Stef’s biological son from a previous marriage, two Latino children they fostered and later adopted; and two new siblings they have taken into their home. With other shows, like "Modern Family" and "The New Normal," paving the way in terms of portraying gay parenting, Bredeweg and Paige decided their non-traditional family would be headed by a lesbian couple instead of two gay men. They chose to set it in the world of foster care after Paige participated in federally funded study about LGBT youth in foster care. “It’s sort of amazing to me that it hasn’t been done,” Paige said, who sits on the board of the Los Angeles Gay and Lesbian Center. “Being a kid is so difficult but being a kid who is completely unmoored, I don’t know how you survive. Certainly, it’s been done before as far as having foster kids as characters, but it’s always backstory. I don’t think we’ve ever truly explored in the moment what it’s like to be a foster child. Usually, the foster kid in Hollywood is the bad seed. We’ve just been so moved and impassioned by what we’ve heard from these foster kids, that it has to be told.” Executive producer Joanna Johnson, a white lesbian mother with a Latino wife and two adopted biracial children, runs the show and mines her life for story ideas. It seems to be working. With 2.5 million total viewers, “The Fosters” is summer’s top cable series among 12-to-34-year-olds. (The network's core demographic is 14-34). It’s also shaping up as the network’s fourth highest-rated series of all time. The show will return in January with new episodes, ABC Family announced on Tuesday. “When we go online and we read the tweets and we listen to the way kids are responding to the show and their parents are responding to the show, they’ve just embraced the family more than we ever expected,” Bredeweg said. “Yes, we have two women standing at the front of our household, but we’re dealing with the exact same issues like any other family in America or most of the world. People are accessing our family just as their family. For us, it’s such a joy to see that happening.” That sense of satisfaction will increase exponentially when the wedding episode airs, said the show’s creators who are both gay. “When I was 15, the age of what probably makes up the bulk of our viewing audience, I didn’t believe there was any possibility — it didn’t even enter my frame of reference — that one day I would be able to get married,” Paige said. “For me, it was a profound healing moment.” Bredeweg got married in Los Angeles before Prop 8 passed five years ago. “I had a backyard wedding much like Lena and Stef amongst friends and family, and it was one of the most important days so far in my life,” he said. “To sit there with Peter next to me and watch this happen and to know we can all do this again, it was such a real thing. It was hard to wrap our head around at first. But then it just became a celebration because, to me, it was a day that we never thought would come so quickly and now that it’s here, it was overwhelming.”



news sours www.nbcnews.com

With a Following Abroad, Woody Allen Banks His Laughs in Euros

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With a Following Abroad, Woody Allen Banks His Laughs in Euros
Woody Allen had one of his best openings ever last weekend when Blue Jasmine made $612,064 in six locations—a staggering take of $102,011 per theater. Given strong reviews and a likely Oscar campaign for lead actress Cate Blanchett, the film is likely to do strong business in the coming weeks. It’s also virtually guaranteed to make its money back, since Allen’s films generally cost $15 million to $25 million. That indie budget range has become rare in recent years, but Allen has somehow continued to work within it, and with amazing consistency, making roughly a movie a year for the past four decades. Just days before Blue Jasmine’s big opening, Spike Lee—another stalwart and respected indie filmmaker—announced he was turning to Kickstarter to help finance his next film, saying the studios’ obsession with “Tent Pole Enterprise[s]” had made it difficult for directors like him to continue working independently on their own smaller films. This sentiment is also shared by Steven Soderbergh, who in April gave an infamous State of the Cinema speech bemoaning the way Hollywood does business: “You’ve got fewer studio movies now taking up a bigger piece of the pie, and you’ve got twice as many independent films scrambling for a smaller piece of the pie,” he observed. (Putting his money where his mouth is, Soderbergh publicly pledged $10,000 to Lee’s Kickstarter last week.) So how is it that Allen can still do it? Recently, Letty Aronson, the director’s sister and producer, explained to Fast Company that the financing for Allen’s films has increasingly come from overseas investors. It’s no secret that the larger film industry has become more reliant on international financing and audiences in recent years: Outspoken producer Lynda Obst points to foreign moviegoers as one reason for the lowest-common-denominatorization of Hollywood product. “Broad comedies play because falling on a banana peel is funny in every culture,” Obst told the Huffington Post last month. “But … so-called ‘writing’—wit and nuance—doesn’t travel.” And yet, Allen continues to churn out witty and nuanced films with a sizable international audience. In 2010, You Will Meet a Tall Dark Stranger made only $3 million in the U.S., but $31 million abroad. 2007’s Cassandra’s Dream, a complete dud with a U.S. take that didn’t even break a million, made more than $21 million abroad. And those are just the flops. When a Woody Allen movie succeeds at home, it’s even bigger overseas: 2011’s Midnight in Paris made $56.8 million in the U.S. and $94 million internationally. 2008’s Vicky Cristina Barcelona made $23 million domestically, $73 million abroad. Allen has accomplished this over the years by building himself into a recognizable brand overseas, especially in Spain, France, and Italy, which have been among his biggest markets. In a fascinating scholarly article about the way these films are marketed in France, author Frédérique Brisset points out that Allen’s name is given a lot more prominence there than it is at home. In France, “Allen’s work has almost become,” Brisset observes, “a genre by itself.” That’s one reason why the director has been filming more and more away from his native New York—not just because it’s cheaper to shoot abroad, but also because that’s where his audience is. Admittedly, Allen, with his 45-year back catalog and iconic presence, is a unique case. However, his success suggests—contrary to popular belief—that there’s hope for America’s independent filmmakers on the foreign stage. As Allen himself told Britain’s Daily Telegraph newspaper last year, “I have to assume there are many millions of people in the world who are educated and literate and want sophisticated entertainment that does not cater to the lowest common denominator and is not all about car crashes and bathroom jokes.”




news sours  www.businessweek.com

Hollywood, Shootings, and ‘2 Guns’: When Is Stylized Violence Obscene?

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Hollywood, Shootings, and ‘2 Guns’: When Is Stylized Violence Obscene?
The protesters were chanting “Trayvon Martin! Trayvon Martin!” on their march to Times Square as they chanced to pass beneath a jumbo video screen showing Denzel Washington and Mark Wahlberg brandishing handguns. 2 Guns Universal The clip was from the movie 2 Guns, and at this instant on this Saturday after George Zimmerman’s acquittal this trailer seemed to me to be more obscene than any fuck film shown on West 42nd Street during the bad old days. Few of those marching appeared to notice it, much less take any offense. Their minds were focused on the 17-year-old who had been shot to death by a man with a handgun while out buying candy and a soda. “Don’t shoot me, don’t hurt me! Just Skittles and iced tea!” they chanted. At the march’s end, many began the journey home by going down into the subway, where there was a still image of Washington and Wahlberg with guns. Next to this poster for 2 Guns was one for another movie, R.I.P.D., also put out by Universal Pictures, also showing two men with guns. The muzzles of the R.I.P.D. weapons glowed. Nearby stood yet another two men with guns, a real-life pair of police officers, looking watchful but profoundly bored, service weapons holstered. Zimmerman was repeatedly called a wannabe cop during the trial, but he did not likely fantasize directing traffic in the rain and cleaning puke out of the back of a radio car after transporting a drunk. Or, like these two actual cops, sweating under a bulletproof vest while keeping a lookout for fare beaters in a subway station. He more likely yearned to be a hero like the men in the movie posters. At the '2 Guns' premiere in New York City, the cast spoke about the movie's influence on gun culture in America. The good news for those who think such movies at once glorify and trivialize gun violence is that R.I.P.D. bombed. The bad news is that 2 Guns may be a hit and thereby perpetuate the genre. 2 Guns seemed to be well received by almost everybody save me when it was screened last week at a theater on the same stretch of the “Deuce” where the Trayvon Martin demonstrators had matched, just across from the where the jumbo video screen showed the trailer. Nobody else appeared to be offended by the title in a time of the Aurora movie-house massacre and the slaughter of the school kids in Sandy Hook and the killing of Trayvon. The actors were good. The dialogue was snappy. But I couldn’t help but think that the bravado and banter that make the two heroes so appealing are exactly the stuff that makes a guy like George Zimmerman want to be like them and hold one of those guns in his hot, living hand. Wahlberg‘s character is right out of a lost soul’s fantasy when he winks at a diner waitress and then later winks at a bad guy after besting him with some fancy shooting. “I did wink at him because he’s my bitch now,” he says afterward. The bravado and banter that make the two heroes so appealing are exactly the stuff that makes a guy like George Zimmerman want to be like them. And there are not just 2 Guns. There are many guns along with much shooting. The relationship between the Washington character and the Wahlberg character is cemented during the big gun battle at the end, when they kill every bad guy in sight. “You good?” Denzel asks after the carnage. “Never better,” Wahlberg says. They are now family. “All right, brother,” Denzel says. The screening audience applauded. Washington then notes that his new brother shot and wounded him earlier in the film. The next line is a line for our times. “I shot you before I knew how you were,” Wahlberg says. Washington evens it up by shooting Wahlberg in the leg, then throws an arm around him as they set off together. 2 Guns concludes with a final, resonating gunshot that probably bothered nobody but me. *** Nearly a half century and more than 250,000 gun killings ago, my father rode in a car with Robert F. Kennedy past the marquee of a movie theater that was showing Bonnie and Clyde, which had been nominated for the Oscar for Best Picture of 1968. Another passenger remarked that it was supposed to be terrific. “I hear it’s the most immoral movie ever made,” Kennedy said in the quiet voice of somebody who had too much personal experience with gun violence. That year’s Academy Awards ceremony was supposed to be held on April 8, but it was postponed for two days due to the assassination of the Rev. Dr. Martin Luther King Jr. Bonnie and Clyde lost out to In the Heat of the Night, which was about race and justice in the South. Two months later, on June 6, Kennedy himself was shot to death, with a revolver that had originally been bought by a senior citizen for self-protection after the 1965 Watts Riots, even though he was nowhere near the trouble. This 1 gun was subsequently stolen and ended up in the hand of an assassin who was tackled immediately after firing the fatal shot. One observer noted that he fought to hold onto the gun despite great efforts to pry it from his fingers, as if it were his entire identity. The movie that Kennedy had heard described as the most immoral ever made became known as one of the best ever made. Bonnie and Clyde was among the first 100 films preserved by the newly established National Film Registry in 1988. The movie’s many defenders insist that it simply reflects a violent culture, and there is little denying that in a country of 350 million guns, more than two guns for every two people. But the violence in Bonnie and Clyde is idealized, even stylized at the end. It is a glamorizing mirror whose reflection subverts any reflection upon the insanity of a society of guns. Not that the producers of Bonnie and Clyde or, for that matter, 2 Guns had any priority other than to sell tickets. And the paying public seems to like simulated gunplay now as much as it did back in 1968. One thing that has changed is that box-office totals somehow became newsworthy, reported by news outlets as if determined the worth of a movie. Nobody reported Bonnie and Clyde’s first-weekend ticket sales as a matter of great public interest. You can bet they will with 2 Guns. And it will probably do pretty well. But I have to wonder how it would do in that movie theater in Aurora where a dozen people were shot to death. Or before the parents of the 20 school kids who were shot to death in Sandy Hook. After that schoolhouse massacre, which also claimed the lives of six adults, President Obama finally found his voice regarding gun control. He asked Vice President Joe Biden to help formulate ways to curb gun violence. On a day that began with a contentious sit-down with the NRA, Biden had a meeting with representatives of the film, TV, and cable industry that was much more pleasant, likely in part because he is old friends with the president of the Motion Picture Association of America, former senator Chris Dodd. Other participants included a lobbyist for Comcast, parent of Universal. Much of the talk was about ways to keep kids from seeing what is described as "entertainment meant for adults," not to be confused with adult entertainment. “The entertainment community appreciates being included in the dialogue around the administration’s efforts to confront the complex challenge of gun violence in America,” read a collective statement by the various representatives. “This industry has a longstanding commitment to provide parents the tools necessary to make the right viewing decisions for their families. We welcome the opportunity to share that history and look forward to doing our part to seek meaningful solutions.” The entertainment community now brings us 2 Guns, with an R rating that only bars unaccompanied kids under 17, if it’s enforced at all. Nobody can righty say that 2 Guns is a bad movie by the criteria that hold Bonnie and Clyde to be a good or even great one. But I have a pretty good idea what Bobby Kennedy would think of it, most particularly of the title and of the jocularity about shooting people and of that final, reverberating gunshot. To my ears, all the really good, crowd-pleasing movie-making preceding that gunshot did not make it sound any less like the one that signaled the end of Trayvon Martin’s life. And when I passed the refreshment stand on the way out of the theater, I could not help but think of Skittles. Like The Daily Beast on Facebook and follow us on Twitter for updates all day long. Michael Daly is a special correspondent with Newsweek and The Daily Beast. He was previously a columnist with the New York Daily News and a staff writer with New York magazine. He was a finalist for the Pulitzer Prize for commentary in 2002 and has received numerous awards. He is the author of Under Ground and The Book of Mychal. His third book, Topsy, will be released this summer.



news sours  www.thedailybeast.com

'Most embarrassing Fox News interview ever' sends Reza Aslan's biography of Jesus to number 1 in the Amazon book charts

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'Most embarrassing Fox News interview ever' sends Reza Aslan's biography of Jesus to number 1 in the Amazon book charts
Not Found The requested URL /embed/AQhMllQ-ODw was not found on this server. Apache/2.2.3 (Red Hat) Server at www.youtube.com Port 80 A car crash television interview during which a Fox News host asked the author of a new biography about Jesus, why he, as a Muslim, feels able to write about the Christian Messiah, has had an unexpectedly positive outcome - with sales of the author's book increasing by 35 per cent in just two days. The excruciating 10-minute interview, during which broadcaster Lauren Green was left with egg on her face after she tried to pin down respected scholar Reza Aslan, who just happens to be Muslim, on why he felt capable of writing a book about the life of Jesus, went viral at the weekend after it was posted on Buzzfeed. Ms Green asks: “You’re a Muslim, so why did you write a book about the founder of Christianity?” To which a visibly surprised Mr Aslan responds: “I am a scholar of religions with four degrees, including one in the New Testament, and fluency in biblical Greek, who has been studying the origins of Christianity for two decades, who also just happens to be a Muslim.” "It's not that I'm just some Muslim writing about Jesus," he continued. "I am an expert with a PhD in the history of religions." But all publicity is good publicity, as they say, and this embarrassing episode for Fox News has had an extremely positive outcome for Mr Aslan whose controversial biography of Jesus, Zealot: The Life and Times of Jesus of Nazareth, has now reached number 1 in the Amazon books charts. Publishers Random House had to rush to meet a surge in demand for the book, ordering an additional 50,000 copies to be printed on Monday, bringing the total copies in print to 150,000. The biography, published on 16 July, had already been selling well prior to Mr Aslan’s appearance on Fox News, having reached number 8 in the Amazon book charts on Friday, but Mr Aslan is “thrilled” at the increased exposure on the back of the viral interview. “I’ll be perfectly honest — I’m thrilled at the response that people have had to the interview,” Mr Aslan told the New York Times. “You can’t buy this kind of publicity.” The Fox News interview has been watched nearly 4.5 million times on Buzzfeed, which posted the video under the title "Is this the most embarrassing interview Fox News has ever done?", and Mr Aslan has gained an additional 5,000 Twitter followers since it went out. The book is to be published in the UK by The Westbourne Press with the ebook available from today and the hardback in bookstores from 15 August.




news sours  www.independent.co.uk

Hollywood’s in need of a superhero - to recover its money from China

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Hollywood’s in need of a superhero - to recover its money from China
China is likely to become the world’s biggest film market within the next five years, making it a potential source of vast profits for Hollywood studios – but only if the Chinese decide to pay them. And, according to reports this week in the US trade papers Variety and The Hollywood Reporter, China stopped paying Hollywood for its movies months ago. Remarkably, it seems that the studios have continued to send their big releases to Chinese cinemas, despite not having received a penny of their box-office takings since the end of last year. In several cases, the withheld payments are thought to total tens of millions of dollars, and all because of a dispute over a new tax. Last year, the US Vice-President Joe Biden and China’s then Vice-President Xi Jinping, who has since become the country’s President, negotiated a landmark World Trade Organisation deal, relaxing strict restrictions on foreign film releases in China. Under the agreement, Beijing agreed to allow more overseas movies to be screened in Chinese cinemas than in previous years, and raised to 25 per cent the share of box-office takings to be returned to US studios. Towards the end of 2012, however, the state-run China Film Group told studios that it intended to levy a 2 per cent value-added tax on each film release. Studios are refusing to pay the VAT, claiming it breaches the WTO deal. The ongoing dispute means Western studios have seen none of their agreed 25 per cent of Chinese box-office earnings for some of this year’s biggest releases. Warner Brothers is probably owed more than $31m (£20m) for blockbusters including Man Of Steel and The Hobbit, while Sony has supposedly seen nothing for its James Bond movie Skyfall. Disney could be more than $30m out of pocket for Iron Man 3 alone, which made more than $121m in China, and 20th Century Fox has said it is still waiting for an estimated $23m return on its Chinese success with Life Of Pi. Historically, dealing with China has been difficult for Hollywood film-makers, who must contend with the whims of Chinese censors. Many films have been banned with little or no explanation, others have been withdrawn from screens at a moment’s notice. Yet Chinese audiences are fast becoming so crucial that US studios are more anxious than ever to please them, and the censors who control what they see. Several Hollywood blockbusters, including Iron Man 3, specifically altered their content to make them more attractive to the Chinese market. Chris Dodd, a former US Senator who now chairs the Motion Picture Association of America (MPAA), is working to resolve the dispute, which has reportedly reached the US Trade Representative. A source at the USTR told Variety that the agency was working with the MPAA and “counterparts within the Chinese government to resolve the issue”.




news sours  www.independent.co.uk

Careful, It Jiggles!

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Careful, It Jiggles!
Let's pretend it's summer and it is really hot and you tend to wear those little sleeveless cotton stretch-tops or even a dress with spaghetti straps the way you always did, all your life. Without a bra! Because you are of the sixties generation. Except you are 50 plus now, in terrific shape -- for your age, as impolite people like to add -- and can't see no harm. And then a girlfriend, a really good one, otherwise she wouldn't dare, says to you "Your upper arms jiggle!" Which is just another way of saying, "If I were you, I'd stop wearing sleeveless tops and not show the world my naked arms -- at your age! And while you're at it, wear a bra!" That kind of hurts -- but it's worth investigating this summery topic that invites all kinds of fashion-trouble. Trim, athletic upper arms are a dream that doesn't come true for many (including myself -- but excluding Madonna), certainly not when you are over 50, when untamable flesh appears in all kinds of places you didn't even know you had. In younger years it's luscious, firm and silky from head to toe, the breasts sit proud and high -- but then, all of a sudden it seems, the flesh is jiggly and moves about like Jell-O pudding. Especially the flabby upper arms that are so un-Michelle-Obama-like that it's tragic. But it is the truth -- and it seems sometimes unfair -- women have more loose flesh on their body than men. Which is really nice as long as it wraps itself in perfect proportion around a trim body. (And I don't mean like Lady Gaga's real beefsteak-dress of last year!) Nora Ephron, the late, very funny American writer and author of the bestseller "I feel bad about my Neck" knew a thing or two about the older body that seems to betray you whenever you look away. She sometimes felt as bad about other body parts because everything goes south when you hit 50. She opted not only for turtleneck sweaters but also long sleeves. It is also safe to say that she was never spotted bra-less at her fabulous New York lunches. In my informal fashion-quiz which I do often for fun with girlfriends, I ran by them the question, "How long can you go sleeveless and bra-less in public?" At the very most until your late 50s was the answer. Because no matter how fit you are, there are not only jiggling parts on your upper arms but strange and scary wobbly hills and fatty deposits right under your arm that don't need to be exposed freely to strangers anywhere. And certainly not without a bra. We all know the older lady-hippies, don't we? They are still around, and either beloved or ridiculed by onlookers. Once adorable super skinny flower children and budding feminists who banned not only the bomb, but bras as well, they still have flowing grey hair, comfy shapeless dresses over natural bosoms, Birkenstocks and recycled shopping bags. I love hippies, I was one myself, and the idea of liberation on all fronts is always appealing. But while your mind and animals should run wild and free, bosoms of a certain age should not. Who decides what is beautiful and fits the bill of propriety? Naturally, it is very important that only you yourself decide what is permissible at what age -- it is an individual question of comfort and aesthetics. Of course, you should have a relaxed and loving relationship with your body and allow it some freedom, no need to wrap it in "Spanx" like a wounded knee. But there's nothing wrong with being a little critical and in control when it comes to exposure. I found that a good way to test one's tolerance is to recall what is a real turn-off when looking at other people's bodies in public. Sadly, too many older women have an uninhibited streak when it comes to nakedness. As for me: I don't like to stare at aging armpits -- it's creepy. Sorry. Therefore I wear sleeveless stuff without the bra only at home or with close friends. But fashionable life goes on in the outside world. So, here's the plan for a cool and pretty summer without exposing flabby flesh. First, get hold of a comfortable bra and consider these tips. 1. If you must wear a sleeveless dress -- and it better be gorgeous -- wrap a beautiful, feather light silk scarf or stole around the shoulders. 2. Layers are life-savers! Wear a slightly transparent long-sleeved stretchy shirt under the dress. Alternative: a flimsy long-sleeved chiffon blouse. 3. Get a short little silk or cotton cardigan (waist length), that you also can just hang casually over your shoulders if it gets too warm.




news sours  www.huffingtonpost.com

Tuesday 30 July 2013

Mission: Possible! Charlize Theron throws her star power behind HIV and AIDS awareness in home country South Africa

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Mission: Possible! Charlize Theron throws her star power behind HIV and AIDS awareness in home country South Africa 
Charlize Theron is a woman on a mission. The South African-born beauty has once again put her star power to good use by pledging to help with the fight against HIV and AIDS in her home country. Meeting with South African President Jacob Zuma in Pretoria on Monday in her capacity as an ambassador for the United Nations program on AIDS, the actress says she believes the potential to usher in an AIDS-free generation is a real possibility under Zuma's leadership. Scroll down for video Woman on a mission: Charlize Theron joined South African President Jacob Zuma in Pretoria on Monday to talk about efforts to raise awareness of HIV and AIDS in her home country Woman on a mission: Charlize Theron joined South African President Jacob Zuma in Pretoria on Monday to talk about efforts to raise awareness of HIV and AIDS in her home country Zuma, who has been President of the 25th largest country in the world since 2009 and, prior to that was the nation's Deputy President from 1999-2005, sang the praises of the actress's efforts in raising awareness. 'Today has been a very special day with this good citizen of ours joining us,' SouthAfrica.info reports him as saying. 'We believe the education of young people goes a long way to prevent any escalation of the disease. That's what Charlize has been doing. We believe the successes we make in South Africa will have a big impact on the continent.' The pair were also joined by Health Minister Aaron Motsoaledi and UNAIDS Executive Director Michel Sidibé at the Unions Building in Pretoria to discuss how to better combat the pandemic. Star power: The United Nations Messenger Of Peace, who turns 38 on August 7, looked chic and businesslike in a black and white patterned top and black pants Star power: The United Nations Messenger Of Peace, who turns 38 on August 7, looked chic and businesslike in a black and white patterned top and black pants Tweeting her excitement prior to heading home on July 26, the star, who goes under the Twitter handle of @CharlizeAfrica, shared, 'Excited 4 the opportunity 2 speak w/President Zuma about helping youth in my home country stay HIV free.' She then followed it up on Monday with, 'We have to stop the stigma around #HIV. #SouthAfrica #UNAIDS #reachout #CTAOP.' Speaking to gathered press from her homeland, the mother-of-one said, 'It's always very special to return home and, when I'm able to, lend my support.' Charlize Theron meets South African president to talk HIV and... 'We can never stop talking about this disease': The star drilled home the importance of being open and honest about the pandemic that is sweeping the nation in a bid to remove the stigma associated with the disease 'We can never stop talking about this disease': The star drilled home the importance of being open and honest about the pandemic that is sweeping the nation in a bid to remove the stigma associated with the disease However, she added that while progress is being made, there is still a way to go. 'We have come so far in this country with our HIV programme... but we still have challenges,' she admitted. 'We can never stop talking about this disease.' According to UNAIDS, last year alone, more than eight million HIV tests were administered in the continent, while the number of infections has decreased by 12 per cent over the last two years. Taking care of business: The star was joined in her talks by (from left) UNAIDS Executive Director Michel Sidibé, President Jacob Zuma and Health Minister Aaron Motsoaledi Taking care of business: The star was joined in her talks by (from left) President Jacob Zuma, UNAIDS Executive Director Michel Sidibé and Health Minister Aaron Motsoaledi Her crowning glory: The single mom-of-one has also revealed that she wielded the clippers when she shaved her head for a role last June, admitting she simply 'buzzed it with a razor' Her crowning glory: The single mom-of-one has also revealed that she wielded the clippers when she shaved her head for a role last June, admitting she simply 'buzzed it with a razor' The Snow White And The Huntsman star was made a Messenger Of Peace by the United Nations in 2008, with the goal of promoting efforts to end violence against women. Meanwhile, the stunning blonde recently revealed she was the one wielding the clippers when she shaved her head for her role in postapocalyptic film Mad Max: Fury Road in June last year. The movie, which is currently in post-production, stars Tom Hardy in the title role, previously made famous by Mel Gibson, who starred in three Mad Max movies between 1979 and 1985. No rest for the wicked: The blonde beauty was spotted on the set of a photo shoot in LA on July 24, before jetting off to South Africa No rest for the wicked: The blonde beauty was spotted on the set of a photo shoot in LA on July 24, before jetting off to South Africa The star plays Imperator Furiosa in the flick, but unlike Anne Hathaway, whose male hair stylist famously donned a dress to shave her head in last year's Les Misérables, Charlize 'buzzed it with a razor' herself. Talking to InStyle about her beauty regimen, the 5ft 10in beauty admitted she had no qualms when it came to taking the plunge and hasn't looked back since. 'The more I talked to my director, George Miller, about my character, the more I realised there was no way around it. He didn’t want to be the bad guy and just ask me to do it, so I finally called him and was like, “I need to shave my head, right?”' Ethereal: Charlize changed into a see-through flowy baby pink dress for the shoot, with her black underwear clearly visible beneath the sheer fabric Ethereal: Charlize changed into a see-through flowy baby pink dress for the shoot, with her black underwear clearly visible beneath the sheer fabric As a then-new mom to adopted son Jackson, the star, who turns 38 on August 7, insists the low-maintenance 'do suits her lifestyle. 'I had just finished two press tours and my hair was destroyed from heat damage, so I was glad to get rid of it. I was also a new mom and just loved the idea of not having to style my hair every morning. 'The timing was perfect.'



news sours  www.dailymail.co.uk

Not a mum tum in sight! Peaches Geldof cuts a sleek figure in form-fitting cigarette pants and chic striped top at BMW i3 launch

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Not a mum tum in sight! Peaches Geldof cuts a sleek figure in form-fitting cigarette pants and chic striped
She has her hands full raising two children under the age of 15 months. But Peaches Geldof proved she has well and truly snapped back into shape after welcoming second son Phaedra into the world just a matter of months ago as she worked the red carpet at the launch of the new BMW i3 on Monday night. Cutting a sleek figure as she posed at the star-studded bash at London's Old Billingsgate Market, the 24-year-old socialite showed off her super-slim post-pregnancy figure in a pair of form-fitting black cigarette pants. Super-slim: Peaches Geldof proved she has well and truly snapped back into shape after welcoming second son Phaedra into the world just a matter of months ago as she worked the red carpet at the launch of the new BMW i3 on Monday night Super-slim: Peaches Geldof proved she has well and truly snapped back into shape after welcoming second son Phaedra into the world just a matter of months ago as she worked the red carpet at the launch of the new BMW i3 on Monday night The mother-of-two teamed her chic trousers with a stylish monochrome striped top, while adding an edgy dimension to her party ensemble with a black leather jacket. More... Sienna Miller looks fabulous in floral sundress as she launches the new BMW i3 in London No Uncle James tonight? Donna Air flies solo without Mr Middleton at global launch of BMW i3 The ultimate electric driving machine: Leaked pictures reveal the look of BMW's futuristic car that takes three hours to charge and reaches 93mph Looking slimmer than ever as she rocked the red carpet, Peaches completed her look with a pair of towering platform heels, a black chain-detail shoulder bag and a slick of pillar-box red lipstick to complement her flawless porcelain skin. The star - who raises sons Astala, 15 months, and Phaedra, three months, with rocker husband Thomas Cohen - was in good company at the BMW bash, with TV presenter Laura Whitmore, models Poppy Delevingne and Amber Le Bon and Made In Chelsea's Ashley Green also in attendance. Yummy mummy: Cutting a sleek figure as she posed at the star-studded bash, the 24-year-old socialite showed off her super-slim post-pregnancy figure in a pair of form-fitting black cigarette pants Yummy mummy: Cutting a sleek figure as she posed at the star-studded bash, the 24-year-old socialite showed off her super-slim post-pregnancy figure in a pair of form-fitting black cigarette pants Working it: The mother-of-two teamed her chic trousers with a stylish monochrome striped top, while adding an edgy dimension to her party ensemble with a black leather jacket Working it: The mother-of-two teamed her chic trousers with a stylish monochrome striped top, while adding an edgy dimension to her party ensemble with a black leather jacket Working it: The mother-of-two teamed her chic trousers with a stylish monochrome striped top, while adding an edgy dimension to her party ensemble with a black leather jacket Model Donna Air enjoyed a night out at the party, but arrived solo without her boyfriend James Middleton, who may be spending time in Berkshire with new nephew Prince George and sister Catherine, Duchess of Cambridge. Giving the party an A-list seal of approval, Sienna Miller and James Franco officially unveiled the new vehicle to the crowd. Sienna - dressed in a pretty floral sundress by Dolce and Gabbana - said: 'Being a new mother I feel it's very important to make green choices and create a better world for the future. It's the perfect city car. Ooh double doors!' Flawless: Peaches completed her look with a slick of pillar-box red lipstick to complement her perfect porcelain skin Flawless: Peaches completed her look with a slick of pillar-box red lipstick to complement her perfect porcelain skin James agreed: 'Going green is now cool. I'm really excited about this, it's about time we started taking care of the environment. It's fantastic. I feel like it's the future. 'I'm happy to be involved with something that's green. That's cool. I like the orange one and I think it will cope with the Hollywood Hills just fine.' Guests were treated to a DJ set from model Le Bon, while enjoying Moët & Chandon champagne at the star-studded party. The BMWi3 launch marked 'a new era for electric mobility' as the world’s first premium car with an all-electric drive system that opens up an 'all-new experience of emission-free mobility'. A-list attendees: Sienna Miller and James Franco launched the new BMW i3 at London's Old Billingsgate Market on Monday night A-list attendees: Sienna Miller and James Franco launched the new BMW i3 at London's Old Billingsgate Market on Monday night A-list attendees: Sienna Miller and James Franco launched the new BMW i3 at London's Old Billingsgate Market on Monday night Flying solo: Model Donna Air enjoyed a night out at the party, but arrived solo without her boyfriend James Middleton, who may be spending time in Berkshire with new nephew Prince George and sister Catherine, Duchess of Cambridge Flying solo: Model Donna Air enjoyed a night out at the party, but arrived solo without her boyfriend James Middleton, who may be spending time in Berkshire with new nephew Prince George and sister Catherine, Duchess of Cambridge




news sours  www.dailymail.co.uk

Busting out! Tyra Banks struggles to contain her more than ample assets in a far from fierce dress

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Busting out! Tyra Banks struggles to contain her more than ample assets in a far from fierce dress
Tyra Banks is lucky she is on a panel of fashion experts rather than in front of them. The America's Next Top Model host certainly made a style misstep in Beverly Hills, California, on Monday night. Looking extraordinarily uncomfortable, the 39-year-old model could hardly pose - no doubt fearing a wardrobe malfunction. Dangerous curves: Tyra Banks threatened to spill out of her dress at the Summer TCA CBS, Showtime and CW Party in Beverly Hills, California, on Monday evening Dangerous curves: Tyra Banks threatened to spill out of her dress at the Summer TCA CBS, Showtime and CW Party in Beverly Hills, California, on Monday evening While the star has been blessed with stunning curves, Tyra put a little too much on display at the Summer TCA CBS Showtime CW Party. For the event the television personality squeezed into a very tight black and nude lace dress which left nothing to the imagination. Despite being a modest length and having long sleeves, the dress' plunging neckline ensured Tyra showed off plenty of chest, which threatened to spill out at any moment. Take a deep breath: The television personality squeezed into a very tight black and nude lace dress which left nothing to the imagination Take a deep breath: The television personality squeezed into a very tight black and nude lace dress which left nothing to the imagination Take a deep breath: The television personality squeezed into a very tight black and nude lace dress which left nothing to the imagination Normally a champion of great poses, Tyra seemed to struggle to stand right as photographers snapped away on the red carpet. Perhaps in an attempt to get people to look up from her cleavage, the star added big hair to her look. Tyra wore her hair in curls half of which was piled up on top of her head, and the rest left to fall softly down her back. Uncomfortable? Normally a champion of great poses, Tyra seemed to struggle to stand right as photographers snapped away on the red carpet Uncomfortable? Normally a champion of great poses, Tyra seemed to struggle to stand right as photographers snapped away on the red carpet Following her ensemble's theme of making her assets the centre of attention, the star wore stunning smokey eye make-up with accentuated lashes and pale pink lips that made them appear even fuller. Tyra also managed to pick herself up a great looking accessory on the red carpet - Shemar Moore. The hunky Criminal Minds star quickly threw his arm around the model on the carpet and posed up a storm. Better than a handbag: Tyra also managed to pick herself up a great looking accessory on the red carpet - Shemar Moore Better than a handbag: Tyra also managed to pick herself up a great looking accessory on the red carpet - Shemar Moore The star went for an unusual combination of casual and dressed up look wearing blue jeans with a tuxedo suit jacket and a baseball cap. Tyra is about to be surrounded in good locking men with this season's America's Next Top Model accepting both sexes. Last week the star tweeted her excitement: 'The BOYS are coming in just Two Weeks, baby!!!' America's Next top Model Cycle 20 starts August 2. A change is afoot: This season's America's Next Top Model is accepting both sexes when it starts August 2 A change is afoot: This season's America's Next Top Model is accepting both sexes when it starts August 2




news sours  www.dailymail.co.uk

Abs-olutely amazing! Kellan Lutz shows off his incredibly sculpted torso after gaining 20lbs in first look at him as Hercules By IONA KIRBY

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Abs-olutely amazing! Kellan Lutz shows off his incredibly sculpted torso after gaining 20lbs in first look at him as Hercules By IONA KIRBY
Taking on the role of Hercules required far more than just acting skills. And Kellan Lutz certainly got physical to play the Greek god, packing on 20lbs of muscle for the film, according to reports. In a first look at him in character for Hercules 3D, the Twilight star shows off extremely impressive chiselled abs. Pecs appeal: Kellan Lutz looks extremely hunky in a first glimpse from the set of Hercules 3D Pecs appeal: Kellan Lutz looks extremely hunky in a first glimpse from the set of Hercules 3D It would be easy to think the actor’s six pack had been painted on as he cavorted about the set in Bulgaria. In true hero style, the 28-year-old wore a gladiator uniform of skirt, sandals and heavy belt. For some scenes Kellan suited up with armour and a full red cape. The star certainly looked believable as he shot some fight scenes with a sword on Monday. Piling on the pounds: According to reports the actor gained 20lbs of muscle for the role Piling on the pounds: According to reports the actor gained 20lbs of muscle for the role Go gladiator: Kellan also showed how adept he has become with a sword as he filmed in Bulgaria on Monday Go gladiator: Kellan also showed how adept he has become with a sword as he filmed in Bulgaria on Monday Beefcake: The hunky Twilight star wandered about the set playing with his sword Beefcake: The hunky Twilight star wandered about the set playing with his sword It is said that Kellan spent hours in sword training every day in the run-up to filming, along with close combat and horse riding lessons to perform elaborate stunts for the blockbuster. The movie, which is directed by Renny Harlin, is scheduled to hit cinemas in March 2014. And it is facing stiff competition from Hercules: The Thracian Wars, another movie about the son of Zeus which stars Dwayne ‘The Rock’ Johnson. Ouch: Kellan was seen with a bloody and bruised face but fortunately it was only make-up Ouch: Kellan was seen with a bloody and bruised face but fortunately it was only make-up Ready for battle: The 28-year-old looked like a true gladiator in his skirt, cape and heavy armour Ready for battle: The 28-year-old looked like a true gladiator in his skirt, cape and heavy armour Chilling out: Kellan was seen listening to something through headphones in between filming for the blockbuster Chilling out: Kellan was seen listening to something through headphones in between filming for the blockbuster This film, which will be directed by Brett Ratner, is set to be released just a few months later in July 2014. However Kellan has been quick to say the two movies are worlds apart. ‘I wish them the best. They have a great cast, but the story is completely different,’ he told Crave Online. ‘[Johnson's Hercules] is much older and our Hercules is the man’s journey from him being a boy to a man, and it’s very real and human. Keeping in touch: Kellan managed to find the time to stay on top of his messages on his phone Keeping in touch: Kellan managed to find the time to stay on top of his messages on his phone Keeping in touch: Kellan managed to find the time to stay on top of his messages on his phone Muscle man: Kellan looked sizeable but was apparently told not to beef up too much for the role Muscle man: Kellan looked sizeable but was apparently told not to beef up too much for the role Extensive training: The young star apparently had to take part in hours of sword training every day to prepare Extensive training: The young star apparently had to take part in hours of sword training every day to prepare ‘Our character goes through being lovestruck and then heartbroken and then anguish and loneliness, sadness and remorse. It’s really a story about a man, a man and the journey to get back to his love. So it’s not a man with super-powers. ‘A man not understanding the strengths that he does have and he’s in denial because he doesn’t believe in gods at first and doesn’t believe that he’s the son of Zeus and just really feels rejected by who he thinks is his father. It’s just really going through the story of what a normal boy would go through and the situation that he’s forced into.’ Well prepared: Kellan had to also train in close combat and horseriding so that he was ready for the stunts Well prepared: Kellan had to also train in close combat and horseriding so that he was ready for the stunts Worlds apart: Kellan insists Hercules 3D is very different to Hercules: The Thracian Wars, which is also filming Worlds apart: Kellan insists Hercules 3D is very different to Hercules: The Thracian Wars, which is also filming Eye candy: After all that hard work on his physique it's hardly a surprise Kellan was so keen to show it off Eye candy: After all that hard work on his physique it's hardly a surprise Kellan was so keen to show it off Eye candy: After all that hard work on his physique it's hardly a surprise Kellan was so keen to show it off While Kellan certainly looks sizeable in character, he claimed he was told by his director not to beef up too much because this incarnation of Hercules is supposed to be more human than most. ‘Well, even Renny himself, he’s like, “Kellan, I don’t want you getting bigger. Just get your abs to pop more.” I’m like, “All right, cool.” And I like being bigger,’ he said. ‘Even I saw Hercules as this giant guy, but the powers that he harnesses, it’s not like he’s throwing bears into the sky or really fighting off any of the monsters like Clash of the Titans or anything like that. It’s really just Gladiator pretty much.’ And flex: At some points it was hard to believe the star's muscles were real as he worked up a sweat on camera And flex: At some points it was hard to believe the star's muscles were real as he worked up a sweat on camera Hotly anticipated: The movie about the son of Zeus is scheduled for a March 2014 release Hotly anticipated: The movie about the son of Zeus is scheduled for a March 2014 release Different approach: Kellan has explained that this incarnation of Hercules will be human and relatable Different approach: Kellan has explained that this incarnation of Hercules will be human and relatable Kellan admitted that even he expected his portrayal of Hercules to look slightly different, at least as far as his hair was concerned. ‘You know what, I wish I had the long blonde locks,’ Kellan admitted. ‘I was really fighting for that just because I always envisioned Hercules as that, but we have so many fight scenes that are beyond epic. ‘And riding a horse, if it’s not your natural hair, it’d be a lot of work and we don’t have time for that. So my look’s just, I have short hair in this. It’s very cropped and manly.’ Boys and his toys: While he is now very accustomed to using a sword, Kellan still seems excited by it Boys and his toys: While he is now very accustomed to using a sword, Kellan still seems excited by it Hair story: Kellan has said even he imagined the character with long blonde locks, but it would have been too hard to maintain for some of the scenes in the script Hair story: Kellan has said even he imagined the character with long blonde locks, but it would have been too hard to maintain for some of the scenes in the script His star continues to rise: While wrapping up work on Hercules 3D, Kellan is starting to film Tarzan in which he stars as the titular role His star continues to rise: While wrapping up work on Hercules 3D, Kellan is starting to film Tarzan in which he stars as the titular role



news sours   www.dailymail.co.uk

If Hollywood had been in Africa: Artists recreate iconic posters of movie classics with black models

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If Hollywood had been in Africa: Artists recreate iconic posters of movie classics with black models
They are instantly recognisable - iconic photographs that immediately prompt the viewer to remember classic Hollywood films. American Beauty is immediately obvious by the scene of Mena Suvari spread across a bed of roses, while most would automatically think of the blockbuster Matrix when they see Keanu Reeves clad in a long leather coat while spinning through the air. But now two talented photographers have transformed these Hollywood images by giving them an African makeover. The idea behind the Onomolliwood series is to pay tribute to iconic moments of cinema which have highly influenced the two talented photographers The idea behind the Onomolliwood series is to pay tribute to iconic moments of cinema which have highly influenced the two talented photographers Mena Suvari in American Beauty, shot in 1999, made an impact on the photographer duo, who wanted to pay homage to cinema that influence them Mena Suvari in American Beauty, shot in 1999, made an impact on the photographer duo, who wanted to pay homage to cinema that influence them Omar Victor Diop, who is Senegalese, teamed up with French-American photographer Antoine Tempé to create Onomolliwood - a fresh perspective of classic photographs using African models and slightly different details. Instead of a bed of roses for the American Beauty scene, lush green plants were used to cover the model's modesty. Breakfast in Tiffany's has an African model pulling the same coy smile, but wearing a white dress instead of Audrey Hepburn's classic black one. The glittering jewellery, cigarette holders and scattered tea things on the table has been lovingly recreated. The scene of Thelma and Louise, where Geena Davis and Susan Sarandon stare into the distance while police cars can be seen approaching them in the distance. The scene is given a fresh twist in the project, with the same dusty background used, and the defiant-looking models gaze through the windscreen, just as the actresses did in the 1991 film, which also starred Brad Pitt. The have headscarves wrapped around their heads, echoing the costumes used in the film. But it is a motel, instead of a group of police officers, that looms behind the models. The 1966 thriller Blow Up also features in the project, with the new photographs mimicking the scenes that film fans know and love. Just like David Hemmings, an actor kneels over an actress who is splayed across the floor, apparently dead, as he takes a photograph of her. Frida, the film based on the Mexican artist and starring Selma Hayek, is recreated by the pair of photographers - complete with Kahlo's famously bushy eyebrows According to CNN, Diop said of his collaboration with photographer Antoine Tempé to recreate the stunning shots: 'I wanted to imagine what these movies would look like if they were conceived and shot in Africa. 'We started working with the movies we liked, the movies that had influenced us. More... Regal elegance: New exhibition shows the sumptuous clothes worn at the coronation of Queen Elizabeth 'I remember watching in the 1980s the same movies as the young people of Paris and New York and maybe Bangkok. The two Dakar-based photographers recreated the Matrix scene where Keanu Reeves defies physics to contort his body to swerve a bullet The two Dakar-based photographers recreated the Matrix scene where Keanu Reeves defies physics to contort his body to swerve a bullet Strike a pose! Keanu Reeves' pose was perfectly recreated in the shot, but given a green tint to give it a fresh perspective Strike a pose! Keanu Reeves' pose was perfectly recreated in the shot, but given a green tint to give it a fresh perspective Thelma and Louise is given a fresh look in this shot, as the two models stare into the distance, just like the original stars did Thelma and Louise is given a fresh look in this shot, as the two models stare into the distance, just like the original stars did Geena Davis starred as Thelma and Susan Sarandon took on the role of Louise in the famous 1991 film Geena Davis starred as Thelma and Susan Sarandon took on the role of Louise in the famous 1991 film 'At the end of the day we're all the same young people regardless of where you were born and where you were raised and somehow I wanted to show this also through the choice of movies in the series. Omar Victor Diop is a Senegalese photographer whose extensive work ranges from fashion photography to conceptual projects. He offers a new perspective on contemporary African aesthetics, his Facebook page says. Diop has earned a reputation as a rising name in his hometown scene, Okay Africa reported. The hairstyle, outfit and coy smile mimic Breakfast at Tiffany's - made famous by Audrey Hepburn The hairstyle, outfit and coy smile mimic Breakfast at Tiffany's - made famous by Audrey Hepburn The hairstyle, outfit and coy smile mimic Breakfast at Tiffany's - made famous by Audrey Hepburn The 1966 thriller Blow Up is given a fresh look here, as Tempe and Diop wanted to conceive of a Hollywood if it had been Africa-based The 1966 thriller Blow Up is given a fresh look here, as Tempe and Diop wanted to conceive of a Hollywood if it had been Africa-based The film starred David Hemmings, who starred alongside Jane Birkin as a photographer who believes he may have witnessed a murder and unwittingly taken photographs of the killing The film starred David Hemmings, who starred alongside Jane Birkin as a photographer who believes he may have witnessed a murder and unwittingly taken photographs of the killing Though his work has been featured at exhibitions around the world, it was not until the success of his first conceptual project, Fashion 2112 in 2011 that he retired from a career in corporate communications in order to focus on photography. Antoine Tempé is a French-American photographer who documents contemporary African cultural scenes through photojournalism and portraiture. He currently lives and works in Dakar, Sénégal. It is no wonder that the duo turned to Western films for their inspiration. The Senegalese film scene is a relatively small industry. It has produced just five feature films in the last decade. The artists had a long history and a variety of movies to choose from if they picked Hollywood productions - whereas the first Senegalese film was only made in 1955. It was not until the Independence of Senegal in June, 1960, that the West African country's industry began to develop. The 1970s is often considered to be the golden years' for the industry. Production flourished and a variety of award-winning films were made. But by 1980, despite the country producing five full length films a year and numerous short films - no mean feat considering it had just a handful of directors and professionals to create such works - the industry began to collapse. Funding became a crippling issue - the country could not provide the domestic resources and finance needed to help the industry flourish, and people could not afford to keep making the films. Foreign funding was needed to produce the films, and instead of the movies being premiered in Senegal, they would have been expected to be shown abroad instead. Frida, the film based on the Mexican artist, is recreated here - complete with Kahlo's famously bushy eyebrows Salma Hayek and Mia Maestro starred in the biopic of he famous artist, who became known for her self-portraits Salma Hayek and Mia Maestro starred in the biopic of the famous artist, who became known for her self-portraits, and the new photograph paid homage to the film (left)



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Hollywood legends’ depressing final roles

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Hollywood legends’ depressing final roles
“It’s better to burn out than fade away,” or so the saying goes. Except knowing when to “burn out” isn’t all that easy, especially in Hollywood. You see for most movie stars, performing is a life-long commitment – and few opt out of the limelight on an early high, instead acting all the way up to the afterlife. But, just like all good movies, every star wants to end on an epic climax – a swan song to cement their thespian legacy. If only things worked out that way… Here are the Hollywood greats, who sadly bowed out on a less-than-legendary performance. [Ridiculous movie resurrections] Jimmy in epic thriller Rear Window, and voicing Wylie Burp, a drunk dog (Credit: Universal Pictures) Jimmy Stewart Career bests: ‘Mr. Smith Goes To Washington’, ‘It’s a Wonderful Life’, ‘Rope’, ’‘Harvey’, ‘Rear Window’, ‘Vertigo’, the list goes on… Depressing swan song: Genuine legend Jimmy retired from sixty years of acting with mousey Spielberg sequel ‘An American Tale: Fievel Goes West’. His voice definitely added a touch a charm to the average animation, but playing a talking dog called Wylie Burp isn’t exactly the send off you imagine. Davis in the Oscar nominated All About Eve, and playing up to her diva image in Wicked Stepmother (Credit: 20th … Bette Davis Career bests: ‘All About Eve’, ‘The Letter’, ‘Whatever Happened To Baby Jane?’, forging a reputation as Hollywood’s most formidable queen bitch and the first person to ever notch up 10 Oscar noms - bagging Best Actress twice, for ‘Dangerous’ and ‘Jezebel’. Depressing swan song: It’s fitting that Bette’s final role was chain smoking her way through ‘Wicked Stepmother’ – a title few others could better suit. Still, with the tagline “Which witch is which?” you know what kind of half baked adventure you’re in for, and Davis departed midway through production, pointing fingers at the script. She died eight months later. Nielson was brilliant as Frank Drebin, but badly used in Stonerville (Credit: Paramount Pictures/BD Garden) Leslie Nielsen Career bests: Classic sci-fi ‘Forbidden Planet’, comedy masterpiece ‘Airplane!’ and the forever-awesome ‘Naked Gun’ series. Critic Roger Ebert dubbed Nielsen “the Olivier of spoofs.” Depressing swan song: Leslie’s final Frank Drebin-esque outing before his death was playing The Producer in direct-to-video ‘Stonerville’ (care to guess the underlying theme?). Released two months after Leslie’s death, it also featured a cameo from Pauly Shore, that’s how bad it was. Welles in possibly the greatest movie ever, and Unicron, the Orson-voiced Decepticon (Credit: Warner Bros./De Laurentiis … Orson Welles Career bests: ‘Touch Of Evil’, infamous radio broadcast ‘The War Of The Worlds’ and producing, directing and starring in the little known masterpiece ‘Citizen Kane’. Depressing swan song: Welles finished up his magnificent career lending his booming voice to colossal planet-devouring Decepticon, Unicron, in ‘The Transformers: The Movie’. Alright it’s a cult favourite, and some would argue its better than Michael Bay’s efforts, but it’s hardly ‘Citizen Kane’… Anne was amazing in The Graduate, but underused in Delgo (Credit: United Artists/Freestyle Releasing) Anne Bancroft Career bests: Five Oscars noms for Best Actress, including a win for ‘The Miracle Worker’, another five Golden Globe nods plus two wins, and a massive seven BAFTA nominations featuring three wins – genuinely unforgettable seducing Dustin Hoffman in ‘The Graduate’. Depressing Swansong: Anne racked up an almost unbeatable career with the critics, but her last role, voicing Empress Sedessa in ‘Delgo’, is a sniggering smudge at the end of her CV. The 2005 animation netted just $915,840 from a $40 million budget. It held the record for worst ever opening (averaging just two viewers per screen) until 2012, and still ranks as the lowest-grossing CGI movie of all time. Shame. Julia as Gomez Addams, and his impressive but overshadowed Bison (Credit: Paramount Pictures/Columbia Pictures … Raul Julia Career bests: Golden Globe nods for ‘The Tempest’ and ‘Kiss Of The Spider Woman’, a posthumous win for TV movie ‘The Burning Season’ and playing creepy charmer Gomez in ‘The Addams Family’ movies. Depressing swan song: In early 1994 Raul was treated for stomach cancer, but still took a role in the now infamous ‘Street Fighter’ just to impress his children who were fans of the video game. Raul’s General M. Bison stood out as a highlight, but the movie was otherwise mauled by critics. He died two months before release. [The movie stars who went straight to video] Lemmon became a star with movies like The Apartment, but Bagger Vance was a bad move (Credit: United Artist/20th … Jack Lemmon Career bests: Oscars for Best Supporting Actor (‘Mister Roberts’) and Best Actor (‘Save The Tiger’), the brutal 'Glengarry Glen Ross', classic capers ‘The Apartment’ and ‘The Odd Couple’ and AFI’s “Greatest American Comedy of all time” ‘Some Like It Hot’. Depressing swan song: After five decades as one of the most endearing folk in movies, Lemmon capped his award splashed career narrating an almost unforgivable film. On paper ‘The Legend Of Bagger Vance’ was prime Oscar bait, but the finished product was blasted for racial insensitivity – in particular Will Smith’s “magical-negro” character. Time called it the most “embarrassing” film of recent years. Keaton risking his life in The General, but promoting health and safety in The Scribe (Credit: United Artists/Construction … Buster Keaton Career bests: ‘Sherlock Jr.’, ‘The General’, ‘Steamboat Bill, Jr.’, and along with Chaplin, pioneering celluloid comedy in the silent era. He received an Honorary Academy Award in 1958. Depressing swan song: After a lifetime of risking his life for laughs, an ageing Keaton appeared in perhaps the most ironic of all swan songs, 1966 Canadian short ‘The Scribe’ – a movie funded by the Construction Safety Association of Ontario. That’s right, it was a health and safety film… Harris as Dumbledore and the forgettable animation Kaena (Credit: Warner Bros./Samuel Goldwyn Films) Richard Harris Career bests: Earning a BAFTA for ‘This Sporting Life’, a Golden Globe for ‘Camelot’, an Oscar nom for ‘The Field’ and a reputation as one of Hollywood’s biggest-ever boozers. He also appeared in ’Gladiator’ and played Dumbledore in the first two ‘Harry Potter’ films. Depressing swan song: With his health failing, Harris only appeared in ‘Harry Potter’ because his young granddaughter threatened to ignore him otherwise. But the hellraiser feared the movies, which could have been his last, would outshine the rest of his career. Instead, he ended up bowing out soon after redubbing forgotten (for good reasons) French-Canadian CGI flick ‘Kaena: The Prophecy’. Kelly in the iconic Singin' In The Rain, and in just weird Xanadu (Credit: MGM/Universal Pictures) Gene Kelly Career bests: Receiving an Oscar nom for ‘Anchors Aweigh’, a Golden Globe nod for ‘An American In Paris’ and finally an honorary Academy Award in 1952. He defined the Hollywood music with soggy dancing classic ‘Singin' In The Rain’ and was a pretty lovely chap too. Depressing swan song: With a reputation as cinema’s greatest dancer, Kelly’s last ever musical role came in 1980 cringe-fest ‘Xanadu’. You can forgive Kelly’s sometimes sad efforts (roller-skating in your late 60s can’t be easy), but the movie itself? Not so much. ‘Xanadu’ met six nominations at the first-ever Golden Raspberry Awards, skulking away with Worst Director.



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Angelina Jolie highest earning US actress - Forbes

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Angelina Jolie highest earning US actress - Forbes
Angelina Jolie, who will next be seen on the big screen in the film "Maleficent," is Hollywood's highest paid actress with estimated earnings of $33 million in the last year, according to Forbes. She easily surpassed this year's Best Actress Oscar winner Jennifer Lawrence, who came in second with $26 million, and pushed Kristen Stewart of the Twilight series, who topped the list last year, into third place with earnings of $22 million. "Hollywood hasn't shied away from Jolie. She's still one of the few actresses who can demand a paycheck north of $15 million for the right movie - like Disney's retelling of the old Sleeping Beauty story, Maleficent," reporter Dorothy Pomerantz, wrote on Forbes.com. Jolie, 38, made headlines earlier this year when she revealed she had a double mastectomy after learning she had inherited a high risk of breast cancer. " Maleficent will be released next summer. The celebrity mother, who has three biological and three adopted children with her fiance, actor Brad Pitt, rose from third place on 2012's list. Jennifer Aniston, whose newest movie "We're the Millers" will be released in U.S. theaters next week, captured fourth place with earnings of $20 million and Emma Stone, who appeared in The Amazing Spider-Man with real-life boyfriend Andrew Garfield was No. 5 with $16 million. Forbes talked to agents, managers and other people with knowledge of the film industry to compile the ranking based on estimated earnings from June 2012 to June 2013. Sandra Bullock, who was third in last year's list, dropped to No. 7 with estimated earnings of $14 million and Julia Roberts slipped from sixth to 10th place this year, taking home $11 million. Oscar-winner Bullock wowed audiences with the female buddy comedy The Heat. Her 2009 film The Blind Side who which she won a best actress Academy Award, earned $309 million on a budget of $30 million, according to Forbes. Mila Kunis, at No. 9, was a newcomer to the ranking this year with earnings of $11 million. Two films she starred in, Ted and Oz: The Great and Powerful, earned a combined $1 billion at the global box office. The full list can be found at www.forbes.com.




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Sunday 28 July 2013

Summer baking recipes by Paul Hollywood

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Summer baking recipes by Paul Hollywood
People think of baking as a winter activity. I think it's even more suited to the summer months. In the winter, you might make comfort food, bread or a steamed pudding, but nothing beats a light, airy sponge with a cup of tea in the garden. My favourite summer bake is a simple génoise sponge, which I fill with cream and a different fruit in each layer: strawberries, raspberries, blueberries. I always try to use seasonal fruit, both to decorate a cake and to infuse the cream. My top tip is to freeze some of the fruit first, then fold it through the cream so it doesn't ripple it and turn it pink. Then you can leave it to defrost before you cut the cake. When you eat it, you get whole pieces of fruit in your cream. And you might think of pies as a winter food, but a cold pork pie with a quail's egg inside, or a pie with layers of chicken and apricot, make a perfect picnic lunch, as does a Cornish pasty, made in advance and eaten cold. And all followed by a whisked sponge with cream and strawberries, of course. That's my summer comfort food. One of the most memorable bakes on The Great British Bake Off for me was a key lime pie made last year by contestant Ryan Chong: a good key lime pie is fresh, light, full of flavour, very summery and it doesn't seem to fill you up. Job done. You don't need a lot of ingredients to bake, or to go out and buy a lot of kit. Most people have the stuff already in their kitchen, even if it hasn't been used for years. Everyone has a recipe they're nostalgic about, whether it's their mother's, grandmother's or grandfather's. When you eat that cake or bread or pie, you think back to when you were a child and it comforts you. My top tip this summer: when you go on holiday, whether in the UK or abroad, talk to the local bakers. Try their food and ask how it's made. When you get home, you'll be able to reproduce it and it will for ever remind you of your holiday. Clafoutis Monique Serve this brimming with whichever fruit is in season. It also works well with blueberries, raspberries, plums and pears. Serves six. 1 large knob unsalted butter, for greasing 75g plain flour 75g caster sugar 300ml full-fat milk 2 medium eggs, separated 2 tbsp kirsch 400g ripe black cherries, pitted Icing sugar, for dusting Heat the oven to 190C/375F/gas mark 5. Generously butter a 25cm round baking dish. Mix the flour and sugar in a large bowl. Combine the milk and egg yolks in another bowl, then gradually whisk into the flour mix to make a smooth batter. Add the kirsch. In a separate bowl, whisk the egg whites until stiff, then lightly fold them into the batter. Warm the dish briefly in the oven, then remove and pour in a little batter. Add the cherries, arranging them evenly around the dish, then pour on the rest of the batter and immediately put the dish in the oven for 25-30 minutes, until puffed up and set. Leave to cool a little, sprinkle with icing sugar and serve. A generous dollop of crème fraîche mixed with a little sugar and kirsch is the perfect complement. This is also very good cold the next day. Summer fruit génoise summer fruit genoise Paul Hollywood's summer fruit génoise recipe. Photograph: Deirdre Rooney for the Guardian A génoise is a particularly light and delicate kind of sponge, traditionally served with fresh fruit and cream: ideal for tea on a summer's day. This is my favourite way to prepare and serve it. Serves eight to 10. 30g unsalted butter, melted 4 medium eggs 125g caster sugar 125g plain flour, plus extra for dusting A pinch of salt To finish 300g strawberries, hulled and halved 2 tbsp icing sugar, plus extra for dusting 250ml whipping cream 250g blueberries 250g raspberries Heat the oven to 180C/350F/gas mark 4. Use a little melted butter to grease two 20cm sandwich tins, then dust them lightly with flour. Put the eggs and sugar in a heatproof bowl and place over a pan of simmering water. Whisk, using an electric hand-held whisk, for at least seven minutes, until the mixture is trebled in bulk, very pale and thick enough to hold a trail when you lift the beaters. Sift the flour and salt over the mixture and fold in gently, keeping in as much air as you can. Now, very carefully fold in the remaining melted butter. Divide the mixture between the prepared sandwich tins and bake for 25 minutes, until golden and slightly shrunk from the sides of the tin. Leave the sponges to cool in the tins for about five minutes, then transfer to a wire rack to cool. Meanwhile, put 200g of the strawberries in a blender with two tablespoons of icing sugar, and blitz to a smooth purée. The mix should be intense and sweet, so add a little more icing sugar if necessary. Whip the cream until it holds soft peaks. Roughly fold in the strawberry puree, keeping the mixture rippled rather than a uniform pink (or just drizzle the puree on to the cream when you assemble the cake). Slice each sponge in half horizontally. Lay one of the sponges, cut side up, on a serving plate. Spread a third of the strawberry cream on top, and arrange a quarter of the blueberries and raspberries around the edge. Add a second layer of sponge and filling, then repeat to create the third layer. Place the final layer of sponge on the top and dust generously with icing sugar. Arrange the remaining strawberries, blueberries and raspberries on top of the cake. Dust lightly with icing sugar and serve. Passion fruit soufflés passion fruit souffle Paul Hollywood's passion fruit soufflé recipe. Photograph: Deirdre Rooney for the Guardian These light, delicate soufflés have a superb flavour and make a very elegant dessert. They're surprisingly easy, too. Serve as soon as they come out of the oven, because they'll quickly start to subside. Makes six. Melted unsalted butter, for greasing 140g caster sugar, plus extra for dusting 6 medium egg whites plus 2 egg yolks 300ml passion fruit juice, sieved, from 20-25 fruits (or use passion fruit juice or smoothie) Icing sugar, for dusting Heat the oven to 220C/425F/gas mark 7. Brush six deep ramekins with melted butter and dust with a little caster sugar. In a large bowl, use an electric hand-held whisk to whisk the egg yolks with 70g of the sugar for at least five minutes, until the mixture is pale and thick, and holds a trail when the beaters are lifted. In another clean bowl, whisk the egg whites until they hold soft peaks, then whisk in the remaining 70g sugar. Add 60ml of the passion fruit juice to the egg yolk mixture and stir it in well. Stir one-third of the whisked egg whites into the yolk mixture, then carefully fold in the rest. Fill the ramekins almost to the top with the soufflé mixture and run your finger around the edge to lift the mixture away from the sides slightly (this will help the soufflés to rise evenly). Bake for 10-12 minutes, until well risen and golden on top. Immediately dust the soufflés with icing sugar and serve. Use the remaining passion fruit juice as a sauce. I like to break into a soufflé with a spoon and pour passion fruit juice inside. Olive breadsticks olive breadsticks Paul Hollywood's olive breadsticks recipe. Photograph: Deirdre Rooney for the Guardian These are packed with green olives and are perfect with an aperitif on a summer evening. Serve warm. Each bite should have an olive in it. Makes 36 breadsticks. 1kg strong white bread flour, plus extra for dusting 20g salt 20g fast-action dried yeast 800ml tepid water 4 tbsp olive oil 1kg good-quality pitted green olives, drained Fine semolina, for dusting (optional) Put the flour in the bowl of a large, free-standing electric mixer fitted with a dough hook. Add the salt to one side of the bowl and the yeast to the other. Pour in three-quarters of the water and begin mixing on slow speed. As soon as the dough starts to come together, slowly add the rest of the water, still mixing. Turn up to medium speed and mix for another five to eight minutes. The dough should now be wet and easy to stretch when pulled. Add the olive oil and mix for two minutes more, then add the olives and mix with your hand or a spoon just until evenly distributed. Grease two square, two- or three-litre plastic tubs or containers with oil. Divide the dough equally between the tubs and cover with clingfilm. Leave on the worktop until the dough has at least tripled in size (about an hour). Towards the end of the rising time, heat the oven to 220C/425F/gas mark 7. Heavily dust a worktop with flour (add a scattering of semolina, too, if you have it), then carefully tip the dough from one of the tubs on to the floury surface. The dough will be very loose and flowing, but don't worry. Rather than knock it back to deflate, handle it gently to keep in as much air as possible. Dust the top of the dough with flour, then with your fingertips gently stretch it out to a rough rectangle about 25cm x 36cm and 1cm thick. Using a large knife or pizza wheel‑cutter, and starting at one long side, cut the dough rectangle into about 18 strips. Lay the strips, spaced well apart, on three lined baking sheets, six strips to each sheet. Bake for 10-15 minutes, until golden, then transfer to a wire rack to cool. Meanwhile, shape and bake the remaining batch(es) of breadsticks. Once baked, the breadsticks will keep in an airtight container for up to a week. Spanakopita spanakopita Paul Hollywood's spanakopita recipe. Photograph: Deirdre Rooney for the Guardian I lived in Cyprus for six years, and this dish screams of being in the sun. It's aromatic, perfect for an alfresco lunch and is one of those dishes that just tastes different when you eat it outside. If you want to make the filo pastry yourself, you'll need a pasta machine; failing that, use ready-made filo. Serves six. For the pastry 200g strong white bread flour A pinch of salt 100-120ml warm water 1 tbsp olive oil For the filling 900g fresh spinach, thoroughly washed Salt and freshly ground pepper, to taste Freshly grated nutmeg, to taste Finely grated zest of 1 unwaxed lemon 1 large egg, at room temperature, beaten 200g feta To finish Corn flour, for dusting 100g melted butter, for brushing 1 egg yolk, for glazing 1 tbsp sesame seeds First make the pastry. Sift the flour and salt into a bowl and make a well in the middle. Mix 100ml of the warm water with the oil and slowly pour into the well, mixing in the flour as you go. You're aiming for a soft but not sticky dough, so if the mixture is too wet, add a sprinkling of flour; if it's too dry, add a touch more warm water. Once the dough has come together, tip it out on to a worktop (if the dough is the right consistency, you shouldn't need any extra flour on the worktop). Knead for 10-15 minutes, until very smooth and elastic, then wrap it up in clingfilm and leave to rest in the fridge for at least an hour (or even overnight). While the dough is relaxing, make the filling. Heat a large, wide pan for which you have a lid over medium heat, then add the drained spinach, squashing it down. Season and cover with the lid. Cook, stirring occasionally, for about five minutes, until the spinach has collapsed right down and is completely cooked. Tip the spinach into a colander in the sink to drain, and press down on it with the back of a large spoon to squeeze out as much moisture as you can. Finally, press with a wad of kitchen paper so it's as dry as possible. Return the spinach to the pan and dry out some more over a low heat, stirring in the nutmeg and lemon zest. Remove from the heat and set aside. Once cold, stir in the beaten egg. Crumble the feta into the mixture and stir thoroughly. Adjust the seasoning to taste. Before you start to work on the pastry, it's important to have everything ready: lay a large sheet of baking paper on one side of a worktop and dust it generously with corn flour; melt the butter for brushing; have a buttered baking sheet to hand; and heat the oven to 180C/350F/gas mark 4. Divide the dough into five equal portions and shape each into a ball. Take one ball and cover the rest with a damp tea towel to prevent them drying out. Sprinkle your hands and the dough ball with corn flour, and flatten it into a rough rectangle. Set the pasta machine roller to the widest setting and pass the dough through the rollers. Turn the machine to the next setting, pass the pastry through, and repeat until it has gone through to setting number 7 (of 9): you don't want to take it through the thinnest settings because you will do the final stretching by hand. The strip of pastry should be about 1m long. Slip your hands, palms facing down, under the strip of pastry and gently stretch it widthways until it's 20-25cm wide and as thin all over as you can manage. Don't worry about the odd tear or hole, because the filo layers will cover it all up later. Lay the rectangle of pastry on the corn flour-dusted baking paper. Lightly brush with melted butter, then cover with a damp tea towel. Repeat this rolling and stretching with each of the remaining four dough balls, laying each finished sheet on top of the previous sheet, brushing with butter and covering with a damp tea towel again. When all five sheets of pastry are in the stack, spoon the spinach filling evenly along one long edge. Using the baking paper underneath to help you, roll up the spinach inside the pastry, folding in the sides before each roll to stop the filling escaping. You'll now have a long, even sausage shape. Starting at one end, curl the sausage around itself into a spiral. Gently slide it off the paper and on to the prepared baking sheet. Mix the egg yolk with the remaining melted butter and brush evenly over the whole spiral. Sprinkle with sesame seeds and sea salt, and bake for 30-35 minutes, until golden brown. Serve warm. Fiona Beckett's drinks recommendations Clafoutis Monique Given that the recipe and the accompanying cream both have the cherry brandy kirsch in them, it's hard to match a wine with this, and frankly, you don't really need to. But if you want to offer something, hand round shot glasses of frozen kirsch or cherry brandy such as Heering (widely available; 24% abv). Liqueurs shouldn't freeze solid if they're 40% or sufficiently sweet – just keep an eye on them. Summer fruit génoise With such a light, airy cake, there's nothing better than a sparkling, sweet Moscato d'Asti. Araldica's fragrant, pretty 2011 Moscato d'Asti at just 5% abv would hit the spot nicely (£9.99, Virgin Wines). An off-dry prosecco would also work. Passion fruit soufflés Soufflés are feather-light, so you want a sparkling wine rather than a still one. Again, a Moscato d'Asti would do the trick, or, if you really want to be flash, Moet Imperial Ice Champagne (12% abv), which comes in a white bottle and is designed to be served over ice (£64.99, drinksupermarket.com; see wine-searcher.com for other UK stockists). Spanakopita Any crisp, citrussy white would do, but for something a bit out of the ordinary, I'd go for a Greek assyrtiko such as Gaia's gorgeous Thalassitis Assyrtiko 2012 (£14.99 Corking Wines, strictlywine.co.uk, £14.95 winedirect.co.uk; 13% abv). • The Great British Bake Off returns next month on BBC2. These recipes are taken from How To Bake, by Paul Hollywood (Bloomsbury, £20), and The Great British Bake Off: Everyday, published next week by BBC Books at £20. To order a copy of either at a discounted price, including free UK mainland p&p, go to guardian.co.uk/bookshop




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